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Colorist & Finishing Editor

$70–110/hr · AI expert network · remote, 40 hrs/week

Open to people living in the United States.

Check history

CheckedStatusSlots leftChangeHow
27 Oct 2026Open20Script, platform’s board
26 Oct 2026Open20Script, platform’s board
25 Oct 2026Open20Script, platform’s board
24 Oct 2026Open2–Script, platform’s board

The script reads the platform’s own job board every night. A job not confirmed for 10 days comes off the list.

What the work is

Join a leading AI lab's cutting-edge GenAI team to be at the core of the AI revolution, where your expertise fuels the development of the most advanced AI models.

Overview

A leading AI lab is building generative video models that aim for theatrical-grade finishing: consistent color across shots, accurate skin tones, multi-shot pacing, clean scene cuts and HDR-ready deliverables. We're looking for experienced colorists, finishing and online editors, narrative editors and post-production specialists to help define what excellent finishing looks like, and to judge where the models get it right or wrong. This is a full-time role of approximately 40 hours per week.

Key Responsibilities

  • Set the quality bar: Define clear standards for color consistency, skin tones, multi-shot pacing, scene cuts and HDR preparation, critique current evaluations, and help build a taxonomy of the ways generated footage fails.
  • Curate benchmarks: Identify, grade, edit and curate strong examples of excellent and genuinely hard color grades and multi-shot edits, and test early model capabilities against them.
  • Critique model outputs: Review generated sequences and write precise, actionable notes on color shifts, contrast, banding and compression, and editorial rhythm.
  • Shape the reviewer pool and captions: Help define how human reviewers are vetted and calibrated, and review captioning guidelines so color and editorial detail is described accurately.
  • Collaborate with other experts to keep evaluations consistent and accurate.

Who gets hired

  • 7+ years of professional experience in post-production, color grading and editorial finishing.
  • Credits on 2+ professional films.
  • A background in at least one of: Senior Digital Intermediate (DI) or Finishing Colorist (Resolve or Baselight, shot matching, HDR and Dolby Vision); Finishing or Online Editor (conform, color pipelines, mastering deliverables); Lead Narrative Film or Television Editor; or Post-Production Supervisor or Color Science and Pipeline Specialist (ACES, Rec.709, Rec.2020, P3).
  • A meticulous eye for color shifts, skin tones, contrast, banding and compression, and editorial rhythm.
  • Hands-on use of generative tools to create and finish test visual samples.
  • Nice to have: reliable access to a color-accurate 4K/HDR display for pixel-level review.
  • Ability to engage reliably for approximately 40 hours/week during weekdays.
  • Strong written communication and the ability to turn color and editorial detail into precise language for captions and evaluation templates.

The platform posted this on 22 Oct 2026.

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